Adinkra
Adinkra is one of the highly valued hand-printed and hand-embroidered cloths. Its origin
is traced to the Asante people of Ghana and the Gyaman people of Cote' d'lvoire (Ivory Coast). However, the production
and use of Adinkra have come to be more associated with the Asante people than any other group of people. Around the 19th
Century, the Asante people developed their unique art of adinkra printing. Adinkra cloths were made and used exclusively by
the royalty and spiritual leaders for very important sacred ceremonies and rituals.
Adinkra is one of the highly
valued hand-printed and hand-embroidered cloths. Its origin is traced to the Asante people of Ghana and the Gyaman people
of Cote' d'lvoire (Ivory Coast). However, the production and use of Adinkra have come to be more associated with the
Asante people than any other group of people. Around the 19th Century, the Asante people developed their unique art of adinkra
printing. Adinkra cloths were made and used exclusively by the royalty and spiritual leaders for very important sacred ceremonies
and rituals.
Adinkra is one of the highly valued
hand-printed and hand-embroidered cloths. Its origin is traced to the Asante people of Ghana and the Gyaman people of Cote'
d'lvoire (Ivory Coast). However, the production and use of Adinkra have come to be more associated with the Asante people
than any other group of people. Around the 19th Century, the Asante people developed their unique art of adinkra printing.
Adinkra cloths were made and used exclusively by the royalty and spiritual leaders for very important sacred ceremonies and
rituals.
Adinkra is one of the highly valued hand-printed
and hand-embroidered cloths. Its origin is traced to the Asante people of Ghana and the Gyaman people of Cote' d'lvoire
(Ivory Coast). However, the production and use of Adinkra have come to be more associated with the Asante people than any
other group of people. Around the 19th Century, the Asante people developed their unique art of adinkra printing. Adinkra
cloths were made and used exclusively by the royalty and spiritual leaders for very important sacred ceremonies and rituals.
"Adinkra symbolism is a visual representation of social thought relating to the history, philosophy and religious beliefs of the Akan peoples
of Ghana and Cote' d'Ivoire" defined Dr. Kwaku Ofori-Ansa.
In modern times, however, adinkra cloths are used for a wide range of social
activities. In addition to its sacred usage, it is also used to make clothing for such special occasions as festivals, church-going,
weddings, naming ceremonies and initiation rites. Today, designers use adinkra symbols in creating a wide range of products
including clothing accessories, interior decoration, packages and book covers.
Each of the motifs that make up the corpus of adinkra symbolism has a name
and meaning derived either from a proverb, a historical event, human attitude, animal behavior, plant life, forms and shapes
of inanimate and man-made objects. These are graphically rendered in stylized geometric shapes. Meanings of motifs may be
categorized as follows: Aesthetics, Ethics, Human Relations
and Religious concepts. In its totality, adinkra symbolism is a visual representation of social thought relating to the history,
philosophy and religious beliefs of the Akan peoples of Ghana and Cote' d'lvoire.
History
Adinkra
symbols have lately been used for many business logos. Look
closely at African brocade cloth; adinkras are the woven design. However, with most of us being unfamiliar with the meaning
of the symbols we do not understand the messages.
History is not exactly sure how Adinkra cloth came to be. One version starts it in the early nineteenth century.
There was a war between two kings. Adinkera, king of Gyaman (now La cote d'Ivoire), attempted to copy the designs of the
sacred GOLDEN STOOL. The Golden Stool was the unifying force of the Asante Nation. This sacrilegious attempt angered the Asantehene,
the Ashanti king Nana Osei Bonsu-Panyin. In the war, Adinkera was defeated and killed. The cloth that King Adinkera wore in
battle was taken by the Asante as a trophy. With the cloth, the Asante brought with them the art of stamping cloth.
In Africa a great deal of philosophical
material is embedded in the proverbs, myth, and folk-tales, folksongs, rituals, beliefs, customs, and traditions of the people.
Adinkra means goodbye. Originally, the
cloth was worn only by the royalty and spiritual leaders for mourning during funeral services. It can now be worn by anyone
for any occasion. The symbols and their meanings are still used to convey a message.
Adinkra aduru (Adinkra medicine) is
the stuff used in the stamping process. It is prepared by boiling the bark of Badie together with iron slag. Originally the
printing was done on a cotton piece lying on the ground. Today, raised platforms with sack coverings act as the printing table.
The designs, cut on pieces of calabash with pieces of wood attached for handling, are dipped into the Adinkra aduru, then
stamped onto the cloth. Adinkra cloth is not meant to be washed.
(Source: http://www.africawithin.com/tour/ghana/adinkra.htm)
